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"The Piob-mhor, or great Highland bagpipe, is different from the common sharp pipes of the Low country, and both are very unlike the Irish or flat pipes." - James Logan, The Scottish Gael, 1847, p. 433.
"One George MacKay was the reformer of the Scots' Lowland pipes, but I cannot precisely tell the nature of his improvements; he, however, studied seven years at the college in Sky" - James Logan, The Scottish Gael, 1847, p. 434.
The development of the bellows-blown bagpipes of Scotland and Ireland, especially the "pastoral bagpipe", a 17th century invention whose voice didn't quite make it to our times, is an intriguing exploration cloaked in the mist of oral tradition and only limited historical reference. The musical relationship between Irish uillean pipe and pastoral pipe fingerings, and variations found in Piobaireachd and Lowland and Border tunes remains open for study, and the obvious evolution and hybridization of styles begs for more research. Meanwhile, here are some provocative snippets of Lowland and pastoral bagpipes: Publications
Links:
Lowland and Border Pipers' Society: www.lbps.net Na Piobaire Uillean: www.pipers.ie Aron Garceau's Bagpipe Site: www.prydein.com/pipes/index.html Jerry O'Sullivan: www.jerryosullivan.com Bonnie Rideout: www.bonnierideout.com |
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